Wednesday, April 30, 2014

Death Rituals in Tibetan and New Orleans Culture

Tibetan ‘Sky Burial’
Tibetan Buddhists like most Buddhists believe in reincarnation. ‘Sky Burial’ is not actually a burial but refers to the feeding of ones corpse to the vultures. The traditional term for this is jhator, which means “giving alms to the birds”. The event always happens at dawn in a specified location usually near a mountain or hill. The deceased’s relatives and loved ones are kept close but are out of sight of the actual feeding of the birds, as it can be a very brutal practice. As part of the ritual the dead body is cut into small pieces and flayed to become more appetizing for the vultures. “They also beat the bones and flesh against the rock to create a pulp, which is mixed with barley flour, tea, butter, and milk. This mixture is then left for the vultures”.
Throughout the entire process the monks in charge incorporate the use of costumes and tools made from human bones. This is to combat the fear of death, and instead making it seem like just another phase in the cycle of life. Buddhists believe death is merely arriving at rebirth, which reinforces the notion that our physical bodies are unimportant and temporary, whereas our minds are forever. Buddhists believe that however you dispose of ones body after death, the mind will always leave the body and take a new form as it has in the past. By feeding their corpses to vultures Tibetan monks are acknowledging the ending of their life and helping prolong the life of another living creature. This also serves as an indicator of the Tibetan Buddhists oneness with nature and their surroundings.



Jazz Funerals in New Orleans
            In New Orleans, Louisiana many funerals incorporate the use of traditional New Orleans Jazz to help set an appropriate tone. The ceremony is a concoction of French, West African, and African American traditions. The purpose of these funerals is to establish an atmosphere of grief followed by a more joyous celebration of the life of the departed. Traditionally the procession starts with a march from a church to the cemetery by the family and friends of the deceased, they are accompanied by a brass band who initially play somber hymns and tunes during the march. A horse-drawn carriage transports the coffin as a line of traditional dancers performs in rhythm as the procession advances to the cemetery. After the burial the band tends to shift to a more upbeat tone as the service takes on a more celebratory mood, in remembrance of the deceased. Later participants meet at a feast held either at the church or home of the family to commemorate the life of the departed.
            A New Orleans jazz funeral is evidently a far more festive affair in contrast to the Tibetan jhator ritual. Both rituals demonstrate a very different cultural viewpoint of death, which is representative of their societies unique norms in terms of what is deemed an appropriate reaction to ones death. Tibetan monks believe that life is just a cycle that repeats itself and ones physical body is unimportant compared to the mind, this notion stems from their Buddhist roots. They make this clear by not making ones death ritual an elaborate affair, instead they simply put ones corpse to use in what is seen as a productive more practical death ritual. In Christianity however death marks one’s ascent into the afterlife, and serves as an end to their physical presence on earth. Since Christians view death as absolute the rituals surrounding ones funeral are far more elaborate and exquisite. These rituals accurately expresses the very different levels of importance placed on death and the afterlife in the two societies.



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